Synchromism paintings feature harmoniously balanced colors and a sense of movement. Se cree que synchromist paintings evoke similar feelings and sentiments such as music. This is a basic tenet of synchromism art movement. As such, these paintings make wonderfully pleasant additions to any collection of modern art.
Founded in 1912 by Morgan Russell and Stanton MacDonald-Wright, synchromism was an art movement is not based on the idea that the sound and color are phenomena that are similar in the way the individual perceives and experiences. Movement and the organization of color in “color scales” are the ways in which synchromism musical pieces to correlate art forms.
A basic tenet of synchromism is that the color can be arranged or orchestrated in the same way as the notes of a symphony are organized by the composers. This harmonious arrangement of colors and shapes of experience produces results similar to listening to well-balanced orchestral compositions.
Artists of the movement of art cree que paint synchromism color scales could evoke feelings that are very musical in nature. Normally, synchromism pieces have a strong rhythmic shape or form then move towards complexity in the form and tone, moving in a certain direction.
In many cases, for example, explosion of color using color scales spilled in a radial pattern. It’s more common for synchromism artworks have some sort of vortex central outwards with bursts of color, color complex harmonies.
The first painting to be called a synchromism work, was Morgan Russell ‘Synchromy in Green’ to be exhibited in Paris at the Paris Salon des Independants in 1913. That same year, the first exhibition of works synchromist mainly by MacDonald-Wright and Russell was held in Munich, Germany. After exposure synchromist in Munich, is exhibited in both Paris and New York.
These first synchromist pieces were among the first non-objective abstract paintings are on the art of americas. The latter became better known under the label of ‘avant-garde “. Thus, synchromism was the first American avant-garde art movement that gained international attention.
Synchromism has been compared and contrasted to Orphism. Orphism refers to paintings that relate to the Greek god Orpheus, the symbol of the song, arts and the lira. Although Orphism has its roots in cubism, this movement moved toward a lyrical abstraction that was more pure in the sense that this form of painting is about the synthesis of a sense of bright colors.
Although there is no doubt that Orphism was an influence and then Synchromism, Synchromists would say that this is an entirely unique art form. As Stanton MacDonald-Wright said, “synchromism has nothing to do with Orphism and anyone who has read the first catalogue of synchromism… would realize that poked fun at Orphism.”
Several other painters of americas have been known to experiment with synchromism. Synchromism whether it was an offshoot of Orphism or her own unique art form, there is no doubt that the harmonious use of color and movement based on the composition of inspiration to many artists and art forms. Among these artists were Andrew Dasburg, Thomas Hart Benton and Patrick Henry Bruce.
Although most of Thomas Hart Benton works focusing on regionalism and murals, there was also a strong hint of synchromism. Benton’s interest and the incorporation of synchromism mainly resulted from having studied with artists like synchromism Stanton MacDonald-Wright and Diego Rivera.